The bizarre magic shows of today contain numerous phobia triggers. These shows blend two much older arts: the magic show and the freak show. Let’s take a look at the development of these arts and the way that they are merged today.
History of Magic
Humans have been enthralled by magicians since the beginning of time. The earliest known reference to stage magic is a cave painting that dates to 2600 BC, which appears to depict the “Cups and Balls” trick. At various times in history, magic has been linked with religion, with fakirs and shamans believed to have supernatural powers. Theatrical magic developed in the mid-19th century, and was heavily popularized in the early 1900s by such performers as Harry Houdini.
History of Freak Shows
“Freak shows,” or displays of human oddities, can be traced to at least the mid-1600s. By the 19th century, traveling freak shows were relatively common in both Europe and the United States. These shows featured humans with disabilities, although fire eaters, sword swallowers and other unique acts were soon added. Freak shows often traveled with carnivals and circuses. By the mid-20th century, however, advances in medicine enabled many “freaks” to receive surgery for their disabilities. Additionally, these medical advances led to a change in public thinking. No longer feared, people with disabilities were to be pitied and helped rather than gawked at. The age of the freak show was over. Or was it?
Self-Made Freaks
Changing public tastes led to a new demand for bizarre entertainment. By the late 20th century, punk and heavy metal musicians had developed “shock rock,” incorporating ever more bizarre stunts into their live concert performances.
At the same time, a new world of “freaks” began to emerge. Incorporating such older acts as sword swallowing and fire eating along with cosmetic surgery and self-mutilation, the new freaks were not exploited or helpless. Instead, they chose a lifestyle that was extreme, shocking and highly profitable. Many of these freaks opened for shock rock concerts as well as performing alone or in teams at carnivals and circuses, just as the original “freaks” had done.
Geek Magic
By the beginning of the 21st century, it was inevitable that the two worlds would merge. Accustomed to shock rock and self-made “freaks,” the public was ready for something new.
Today, geek magic or shock magic is possibly the most popular form of stage magic. Well known bizarre magicians include Criss Angel, Brian Brushwood and Matt the Knife, who perform in such diverse venues as Halloween events and Vegas theaters. These performers blur the lines between magic and freak show. Ancient illusions are blended with self-mutilation and impossible stunts.
Geek Magic, Freak Shows and Phobias
Today’s bizarre magic shows depend on shocking the audience. An easy way to achieve this is by playing into common fears. At a geek magic show, you might see the performer pound a nail into his nose, become a human dartboard, swallow fire or suspend himself from hooks driven into his back.
Magicians depend on the element of surprise, and each performer changes his on a regular basis. Therefore, if you or a friend have seen the performer before, there is no guarantee that your phobia will not be triggered at the show you attend.
Advance Planning for a Bizarre Magic Show
Although there is really no way to predict exactly which phobias might be targeted, there are still things you can do to minimize the impact. Research the performer in advance. Certain performers are known for certain effects, making it likely that at least one of those effects will be in the show.
If a performer will have more than one show in your area, send a friend to preview the performance. New magic acts typically take months to perfect, and are therefore unlikely to be added during a particular run. Some smaller effects may be tweaked or thrown in, but a large illusion such as sawing someone in half is not likely to be added.
Coping With Your Phobia During the Show
If you have concerns about the show triggering your phobia, do not sit front and center. These seats provide an up-close view of the act which may be disturbing. These seats may also make you more likely to be invited on stage -- not necessarily where you want to be when your phobia is triggered!
Instead, look for seating further back. Most bizarre magicians use TV screens to provide a better view for those in back. If you become anxious, it is easier to look away from the screen than from the performer. Also, if you need to leave during the show, you will feel much less obtrusive if you simply slip out the back.
If possible, take a support person with you. He or she can help you maintain control, suggest coping exercises, and help you decide whether to leave. This person can be a friend or family member who is aware of your triggers and coping techniques.
Bizarre Magic as Therapy?
Bizarre magic can help you face your phobias in a controlled environment. Rumor has it that Criss Angel became an extreme magician partly to work through his own phobias and anxiety following the death of his father. He now dedicates his acts to helping others manage their phobias.
Some people find that witnessing a performance is valuable exposure therapy, allowing them to watch something that they fear without being a part of it. For example, if you have a fear of needles, watching a performer manipulate them may help you learn to cope with that fear.
Nonetheless, bizarre magic is no substitute for legitimate professional help. Each person’s phobia is different, with unique causes, triggers and severity. It is important to visit a mental health professional in order to develop a long-term treatment plan for your particular phobia. If you are currently in treatment, talk to your therapist before attending a bizarre magic show. He or she will help you maximize your enjoyment while minimizing your fear.
Sources:Society of American Magicians. “A Brief History of Magic.” Assembly #147 Transcript. http://home.hvc.rr.com/sam147/html/history_of_magic.html
American Psychiatric Association. (1994). Diagnostic and statistical manual of mental disorders (4th Ed.). Washington, DC: Author.
